Three Rules for Collecting

I’ve always been a natural collector. If I find something I like, a part of my brain immediately lights up and says “maybe you should get another one!”. It’s just natural for me to be curious about objects and enjoy having them around me. To temper my instincts, I have made a concerted effort not to let my collections get too big, or too expensive. I frequently move things to better display everything, and try to know when it is time to say goodbye. If you are a collector, I offer three simple rules I’ve followed in my decades of collecting. With these rules I’ve been able to enjoy my collections and achieve balance in my space.

A small collection of vintage items, grouped by colour.

#1 – Set a Size Limit, then Follow the “One In, One Out” Rule: When you first get excited about something it can be easy to keep acquiring, especially if that item hits your sweet spot in terms of availability and price. For me recently, that item has been vintage McCoy planters. These beauties are found all over North America, but they’re still rare enough that they’re fun to spot. The small ones sell for around $20. They are lovely to me, and I use some of them to actually grow plants, so I can convince myself they’re even useful. With so many reasons to love them, what’s the harm in buying just one more?

The harm, simply, is that eventually I have too many. Hitting a wall with collection size is expected. Collections tend to fill the available space, but there are warning signs when it’s time to stop – You won’t appreciate the ones you have as you try to find a place for another new addition. You will stop being able to display them. You will hate having to dust them. You may look at them and worry about what else you could have done with the money. At this point, you can either sell the whole collection (dramatic but effective!) or you can decide how many is enough, and keep your collection at that number.

Once you’re at your limit, I’m a fan of the “one in, one out” rule because instead of a dead end to your collecting, you will now enter a period of refinement. For instance, now instead of buying three $20 McCoy planters, I will wait to buy a much nicer one for $60. Then I get rid of one of my lesser pieces by selling it so the collection takes up the same amount of space. I’m learning as I go, and investing in pieces that are special. This evolution is how great collections are made.

Most of my McCoy planters are displayed on this antique moveable staircase. The staircase is from a nunnery in Quebec.

#2 – Display Your Collections: Want a really simple way to tell if you enjoy a collection? Look around and see if the collection is on display or shoved away in a box somewhere. There are exceptions (temporary storage issues etc), but in general, if you should have a collection you will have it displayed. You will make space. It will make you happy to see it, because it will reflect an interest or affection you currently hold.

I love to display my collections, no matter how small. Learning how to attractively display your collections will make your home more interesting and personal. The golden rule of display is “like with like”. Even three similar items look better displayed together. Aim for a triangle shape in your display (larger items in the back, smaller in front). Group your little collections and put them out where you can see them. Give them some love. Don’t be embarrassed or think that something has to be expensive or “impressive” to be out. Your home is your sanctuary, and if something makes you happy put it where you can see it.

#3 – Beware of Nostalgia and Learn When to Let Go: You’re a growing person, so don’t expect all your collections to last. Beware of nostalgia that might make you hold onto an item you no longer actually enjoy. Ask yourself if you’re just keeping something because you’ve always kept it. Or if you have good memories of collecting something (I bought this with dear old dad!) and so parting with the item feels cruel. If this is the case my advice is to shrink the collection to your absolute favourite or most meaningful pieces. I recently had to do this with china inherited from my grandmothers. I didn’t want to keep full sets of dishes, but I did carefully go through the sets to keep a small sample. Then I mounted an assortment of plates on my kitchen wall. I see these plates every day and they mean something to me. This small display is a much better use of these items than having boxes of dishes forgotten in the basement.

Once a collection is no longer making you happy, it’s okay to get rid of it. Honest. You don’t have to feel like you wasted money or time or space. It served its purpose. My mother spent years collecting a full 100 antique biscuit barrels (yes, she kept count). She loved them, but then one day she decided enough was enough. She sold all but a few of her best ones. She moved on to collecting birds for her kitchen. Learn to embrace change and say goodbye to your items when it’s time to let them go.

Sometimes collections are small and silly, like this group of china dog figurines. I displayed them with a book jacket photo of Kurt Vonnegut because he liked dogs.

It takes effort to enforce these rules, but collecting is still a great source of joy for me. It’s just how I’m wired. There is a specific excitement in a new find, and the pride of displaying that makes my space comforting to me. By thinking critically, and only keeping what I want to display, I have things I love and room to breathe. Life keeps going, change is inevitable, and the good collector knows how to go with the flow. Happy collecting!

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Midsummer Antique and Vintage Show

It’s hard to believe we’re already almost through August, but before summer ends I wanted to offer some thoughts and coverage of the Midsummer Antique and Vintage Show in Orillia, Ontario. The show was on July 26th – one day only – and it was the fist annual show in this location from Gadsden promotions. From what I saw, this is a show that should be back for years to come. I certainly enjoyed my walk around the grounds.

The Midsummer Antique Show in Orillia

Orillia Ontario is a few hours north of Toronto and the drive is pretty easy (and scenic) along the highways. The show was at the Orillia Fairgrounds, and we pulled up to the show field at around 11:00am.  There was tonnes of field parking, rows of outdoor booths, an open area for the food trucks, and a building with more dealers, a snack bar, and washrooms. All in all, the show was a nice manageable size with around 70 dealers. There weren’t many places to sit, but the building and tents did offer a reprieve from the sun. There was a lot of space between aisles and sections so you could move at your own pace.

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When we arrived in the late morning there was a busy feel to the place. Lots of people walking the aisles and having those intense, quiet conversations about potential purchases. I can’t walk onto a field show without getting flashbacks from my childhood. I remember driving out with my parents while the sun was still down, arriving at a field still damp with dew, setting up, and starting a long and often very hot day. I wasn’t buying or selling in those days, of course, but I know from experience that these shows are hard work. It’s always gratifying to see crowds and know the sellers have a good chance at sales.

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As far as stock was concerned, the Orillia show had a fair selection of large furniture, primitives and art, with more selection in vintage collectibles, antique smalls, and textiles. The quality was solid across all stock types. It was a good mix for the general antique or vintage enthusiast. Some dealers were very specialized so you could find, say, a booth full of pressed glass or postcards, but most dealers had mixed offerings in their particular style. If you were looking for something to catch your eye, you could probably find it on that field.

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Hello handsome!

So after all that, did I find something to buy? You bet! I actually found too much to buy. I have a soft spot for vintage McCoy planters and I found multiple dealers with McCoy I just had to bring home. There were also a few antique smalls (including a set of lawn bowling bowls for Anson), but our most exciting purchase was a metal table with four chairs. We have a small backyard so we can’t do large outdoor furniture. We both really liked the size and the style of the set on first look. I was immediately drawn to curved legs, and I liked that the metal would be easy to maintain and store over the winter. All in all, I think it’s quite a charming little set and I’m happy we pulled the trigger on a more expensive purchase. I’m also very happy that the show organizers provided someone to move the table and load it into our Nissan Versa. Very appreciated help!

Our new backyard set! Love those curved legs and pedestal :)

Our new backyard set!

The Midsummer show was a success for me as a buyer, and for me as a Canadian looking to spend a precious summer day outside. You can’t beat looking at interesting items under sunny skies (bring a hat though, that sun is hot). I hope we can make the trip up to Orillia next year. This is a great addition to the summer show calendar.

Vintage and Antique Shopping in Nashville

Before I get into my post, indulge me for a minute so I can describe where I am. Here, let me give you a visual:

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This is the view from the balcony of my room at the huge “Gaylord Opryland” hotel in Nashville. For most of our trip we were at a rented condo, but this week my husband has a conference so we got a free room here. It’s pretty ridiculous. There are three large atriums with full size trees, waterfalls, restaurants, shops… all under glass domes and surrounded by hotel room balconies. I have a two story waterfall right below me, which I love because it provides the greatest white noise. I feel like I’m outside, in a garden, without heat or bugs. Talk about ideal writing conditions! I could get used to this.

Anyway, before I found myself writing in a fantasy tropical paradise, I was hitting the streets of Nashville looking for antiques. I didn’t get to see a lot, but I did visit the 8th Ave. South area. This is considered one of the main Antique districts in the city. The first place I looked, Classic Modern, was also one of my favourites. It had a great selection of vintage (1950s – 1970s) furniture and accessories, as well as antiques from the 19th century, jewelry and folk art. They had quite a few complete sets of furniture – a full 1950s chrome kitchen table set, or a 1960s couch and chairs for instance. Very cool. Prices were reasonable for the quality of the items. I also talked to the owner and a fellow patron for quite a while – real friendly people around here!

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The second place I visited was “Pre to Post Modern”. I liked the signage out front because it reminded me of Pee-Wee’s Playhouse. It said something like “Come inside! It’s fun in here!” on the clapboard, and you can’t resist that.

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It was fun inside! They had a well curated selection of mid century accessories, advertising, clothes, decor and even some furniture. Everything was organized in themes so the clothes, hats and purses were together in a room, there was a rec room with albums and posters, the tiki stuff got its own corner etc. Very fun to browse. The best part was the prices! I was looking at smalls, but even the furniture was affordable. I wish I could have schlepped home one of their bar carts, but as it was I took three tiki mugs for a grand total of $12. If I lived in the area I would be popping in all the time.

Finally, the last place I visited was a good old fashioned antique “mall”. This one was called 8th Ave Antiques. The booths were a bit spotty in terms of age and quality, but I did find more antique furniture, china and art here. Some dealers had recognizable interests like pop culture memorabilia, kitchenware, or country furniture. Others were seemingly random with antique, vintage or even new and reproduction items. I didn’t see anything I had to buy (and pack – a deterrent for sure). Still, there was enough selection that if I were in the area I would gladly try again.

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Although I didn’t see everything the area has to offer (I missed a whole antique mall further up the road!), I enjoyed my antique and vintage shopping on 8th street in Nashville. There was a lot of mid century to 1970s decor, country smalls, and fun kitsch. Antiques (as in pieces over 100 years old) were harder to find but there were some good examples. Prices were overall lower than in Toronto, especially for the mid century modern stuff. Let me put it this way – shopping at even these three stores I’d have no problems outfitting a fabulous vintage rec room. Now I just need to get some bigger luggage!

My Favourite Mountie Painting

I’m back! For all my readers (hi mom!), I should explain that I was on vacation last week in lovely, sunny Cuba. It was a wonderful break from our mild but dreary Toronto winter. To give you an idea of what I’m talking about, here’s a photo I took looking out my home office window a few weeks ago:

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Yipee.

Now here’s a photo of the sunset on our last evening in Cuba:

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That's more like it.

Although it’s good to be home I still feel sluggish. Therefore, today I’m going to lazily post some photos tell you about my favourite Mountie painting. I can’t believe I forgot to mention it when I wrote about my Mountie collection before, since this painting has been on my walls since I was sixteen. If I remember correctly, my dad picked it up at a yard sale. He knew I liked Mounties, and he was smitten by the painting’s iconic image and overly dramatic staging. For me, it was love at first site:

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The Mountie and his noble steed.

She’s a beaut, ain’t she? Everything art critics would tell you – that the figures are too rigid, the setting cliché, the whole thing is kitchy – is true. I don’t think that this is a particularly good painting. But, BUT, what it lacks in artistic sophistication it makes up for in enthusiasm. There’s a signature on the bottom that says “J. Hamilton”. I’d like to believe the artist was an older man who was a hobby painter. One day he decided to paint the most noble, upright (very upright – he’s almost jumping off his horse) Mountie he could imagine. He put his subject in the classic Canadian wilderness where grass, meadows, mountains and clouds meet sky.

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I love how the clouds arrange themselves with almost heavenly reverence around the Mountie. I love how the horse is restless, but the Mountie sits with complete poise and control. It’s all pretty great. You might not respect me for admiring this painting so much, but that is the risk we all take when we find original art and put it on our walls. At the end of the day, I think it’s much more interesting to have questionable but well loved original art, versus bland and mass produced consumer art.

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You sir, are a true Canadian hero.

My Mountie painting is not so loved by my husband, but then again he once bought a frame to properly display an “A-Team” poster so I take his opinion with a grain of salt. He really likes other folk art, and I admit this particular piece has a niche appeal. For the RCMP fan, however, it’s the Mona Lisa of Mountie art. If my hallway were the Louvre, this baby would be the star attraction.

Shiny Brite Ornaments

Shiny Brite Reproduction bulbWhen I was a kid, my parents (being antique dealers) always had a hodge podge of different antique decorations for the holidays. Tiny plastic choir boys, a somewhat weary looking elf, a flapper styled angel, and an abundance of colourful metallic glass bulbs adorned our tree. To this day, when I think Christmas I think of those cheerful glass ornaments. They were from the 1940s and 1950s. Although ours were from a variety of companies, the most popular of these vintage glass ornaments was made by a company called “Shiny Brite”.

Shiny Brite ornaments were created by American businessman Max Eckardt in 1937. Shiny Brites were proudly made in the USA (a selling point during WWII as previous to this many glass ornaments were imported from Germany). They were mass-produced in a process that started with unadorned glass bulbs supplied by the Corning company that were then hand decorated and machine lacquered in Eckardt’s factories. The inside of the bulb was coated in silver nitrate giving the decorations a, well, bright and shiny look. They eventually came in a large variety of colours including classic red and green, purples, pinks and icy blues. The colours could be solid or patterned. They also came in a large variety of shapes including balls, tear drops, icicles, finials and pinecones. They proved extremely popular and at their peak came out of four separate factories in New Jersey.

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The classic Shiny Brite box. Notice Uncle Sam shaking hands with Santa Claus!

Interestingly, the history of the Shiny Brite ornament was directly impacted by wartime America. Early pre war ornaments often had large sections of opaque silver and metallic colour. After WWII was declared, decorative silver nitrate became a “nonessential” use of metal, so many of the ornaments were stripped of any silvering, and were mainly transparent with only hand painted colour on the outside of the bulb. These transparent bulbs are some of the most sought after and prized for collectors.

The hooks are also a good indicator of age. Early Shiny Brites had metal hooks and tops. During the war, these hooks were replaced with cardboard tabs from which the owner would use string to hang the ornament. Some bulbs from the wartime era also included a sprig of tinsel inside the bulb for added sparkle, but even this small use of metal was eventually prohibited.

This image from I Adore Style

When the war finally ended in 1945, restrictions on metal receded, and the iconic “Shiny Brite” ornament was reborn. Using sharp metallic colours, glittery mica flakes, and metal hooks and distinctive crinkled tops (stamped with the words “Shiny Brite” and “Made in U.S.A.”) these ornaments became even more popular. They remained affordable for families and flourished until plastic ornaments came on the scene in the late 1950s. For reasons I guess had to do with durability and cost, plastic was preferred over glass, and the Shiny Brite company closed their doors in 1962.

Close up of an original Shiny Brite top

Although this is an antiques blog, I must point out that there are some really nice reproduction Shiny Brites made by the Christopher Radko company. Since 2001 Christopher Radko has reproduced some of the most popular Shiny Brite lines and you can find them in lots of stores (I found some at our local Homesense). They are quality decorations and a great way to get the vintage look in new, pristine condition.

As nice as the reproductions are, however, real Shiny Brites are a great piece of history and well worth the search. They are still quite easy to find online and in vintage stores. If you want to collect real Shiny Brites, there are a few words of warning: Some sellers mistakenly use the manufacture’s name “Shiny Brite” to refer to any ornaments of this type. In some dastardly cases, the tops and hooks may also be replaced to “create” a Shiny Brite from just another vintage bulb. Also, people recommend buying only in original boxes, but it can be tricky to determine if a box for sure contained the ornaments for sale.

As is the case with anything, there is an element of “buyer beware” to collecting Shiny Brite ornaments, but this warning should not dissuade you from these charming items. Most dealers are honest and will answer your questions truthfully. Shiny Brites used to be an easy flea market find, but now depending on the style and age of the ornament the price will vary. Even in you find damaged ornaments, you can still use these to create wonderful decorative wreaths or as filler in vases and bowls. With a little searching and a keen eye you can still find affordable vintage Shiny Brite ornaments that will bring sparkle, cheer and history to your Christmas season.

Vintage Mounties

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A few of the vintage Mounties in my collection

As a Canadian, not to mention a general fan of square-jawed, stoic men in uniform, I’ve always been fond of the classic RCMP officer. Red coats, Stetson hats, a hair cut you can set your watch to, and a noble steed to ride. The classic RCMP  (Royal Canadian Mounted Police) or “Mountie” has it all. The Mountie is an icon of Canadian culture. When you say “Canadian” in other parts of the world, the Mountie is probably an image that comes to mind (maybe along with a hockey player, snow and the general idea of trees). He might be a cliché and not at all representative of the diverse people who comprise the modern RCMP force, but the image endures thanks in large part to the plethora of items made in his image. Some of these items are souvenirs and some are advertising to capitalize on a Canadian association with certain products. As a kid, for instance, I remember being in France and seeing Canada Dry commercials featuring a friendly, fully uniformed Mountie sitting in a bar pushing ginger ale. It was silly, but darned if it didn’t make me feel patriotic.

Since the RCMP formed in 1920, the image of the “Red Serge” or “Review Order” uniformed Mountie became so popular it actually became a problem. By 1995 there were so many shoddy, illegal copies of  the RCMP image running rampant on everything from pro wrestlers to cartoons that they famously struck a deal with the Walt Disney corporation to help control their copyright. In 2000 the RCMP decided  not to renew their Disney contract, saying they now had enough knowledge and experience with commercial licensing to protect the image on their own. Today the RCMP sell their own lines of souvenirs with reproduction images.

While new RCMP merchandise is actually really nice, there’s nothing stopping you from collecting the real vintage stuff. By and large, because there was so much made with Mounties, you can pick and choose different types of objects to collect depending on your space and budget. Let’s take a look at some of my items to give you an idea:

Reliable Plastic Mountie

This handsome fellow makes sure the plants are well protected.

This is one of my plastic Mountie figures. These were made in Toronto, Canada by the Reliable Plastic Company. The Reliable Company made, well, pretty reliable toys and these figures have held up well over the years. They have varying degrees of ware and tear. Some of them still say “R.C.M.P Canada” on the base, but on mine the letters have worn off. The back of the base is stamped with the words “RELIABLE MADE IN CANADA”. They are 8″ tall, and sell for around $15 – $30 depending on condition. These figures were made between the 1950s and 1960s, and can be quite easily found today in antique shops and online.

The following two plaster figures are vintage advertisements for Drewrys beer featuring RCMP officers and real glass beer bottles. The Redwood brewery (not the Drewry brewery for reasons one can only assume had to do with alliteration), was founded in Winnipeg, Manitoba in 1877. The company also opened a brewery in South Bend, Indiana in the 1930s following the end of prohibition. By 1936 all actual beer production took place on US soil.

Even when the beer was made in the USA, the Mountie was still used to advertise Drewrys beer. The figures that feature the trio of a Mountie, horse and beer bottle are especially sought after by collectors. Most of these figures were made in the 1940s and sell for $100 – $200 dollars today. I bought both my Drewry Mounties at the same time from the same dealer, and made a deal for both. The first one is smaller and has a miniature glass bottle. The second figure (with horse) has a full size bottle and a flat back for easy mounting on a wall. It’s a great item for a kitchen or bar area.  The Drewry Mounties are a collectible that straddles two fairly large areas of collecting: RCMP and beer. For that reason they are a good investment for the money.

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Mountie Salt & Pepper shakers

Finally, I’d like to show off two little men who make salt and pepper a charming addition to any table. I don’t know what company made these salt and pepper shakers. I can guess that they are from the 1950s but I’m not sure. They have small chips and discolourations. These are not prize pieces but I like them and they probably cost less than $20.

My point is that even if you don’t pay much, or expect to recoup your investment, vintage RCMP pieces can add charm and interest to your home. Plus who can resist a man in uniform? I’ll show you more items from my vintage Mountie collection later. If you have any comments I’d love to hear them!

Oh, and remember that deal the RCMP made with Disney to stop fraudulent but perhaps hilarious use of their image? Thank goodness it didn’t take effect until after Monty Python gave us this: