The Changing Face of Antiques in Restaurant Decor

This week I read a well researched, compelling article in Collector’s Weekly called “The Death of Flair: As Friday’s Goes Minimalist, What Happens to the Antiques?“. I highly recommend you follow that link and read the article yourself. It follows the history of the “casual theme restaurant” like T.G.I Fridays from hot 1970s singles bar to cliché family establishment. The decor in these restaurants has always relied on huge collections of nostalgia and antiques. Now that the designs are changing to be more minimalist (and apparently, Millennial approved), the old stuff is coming off the walls.

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The old T.G.I Fridays on left, new design on right. Images via Collector’s Weekly.

I found it very interesting to learn about the networks of antique pickers and dealers who make restaurant decor their business. Throughout the years, the market went through trends that affected what antiques were in demand. When the restaurant chains started in the 1970s, they wanted bang for their buck. Whatever was abundant and affordable made the cut, and that’s why items like porcelain signs, stained glass windows and Tiffany style lamps became standard. As these same categories of antiques became harder to find, and more expensive, reproduction or “fantasy antiques” (I love that term) were added to the mix.

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Antiques for use in restaurant decor via Cracker Barrel Old Country Store

My favourite part of the article includes a short video on the massive Tennessee warehouse that still holds all the 90,000 individual antiques used in Cracker Barrel restaurants (unlike the other chains, Cracker Barrel is expected to keep with their antique tradition). This family business grew with the popularity of the restaurant; from local antique dealers to networked provider for a large national chain. It’s pretty amazing to see what is essentially a library filled with categories of antiques instead of books. Each and every Cracker Barrel restaurant uses approximately 1,000 antiques in their dining rooms and 99% of their decor is authentic.

Doesn’t that warehouse look like a fascinating place to visit? A few years ago on a trip to Nashville, we made it a point to visit the local Cracker Barrel. It was my first time encountering this temple of Southern Americana. Everything from the rocking chairs on the front porch to the shotgun mounted on the wall added to the impact. There were large advertising signs mounted with old musical instruments, photographs, clocks and farm tools. It was kitsch but it was also interesting. I could see that some items were worth more than others but they were all mixed together into a cohesive whole. In this way, Cracker Barrels are like Tiki bars – they represent a getaway into an idealized version of the past. The nostalgia is real because the items are real. They also serve huge breakfasts for very reasonable prices (go for the antiques and stay for the grits).

I came away from this article with a new appreciation for the business of American restaurant decor, and the use of antiques in that industry. I hope restaurants don’t get overly “tasteful” and boring in their desire to appeal to the younger generation. On one hand, yes, Millennials don’t like tons of stuff on the walls, but on the other hand they value the idea of authenticity. You can’t throw a rock in a hip restaurant these days without hitting an Edison bulb or rusty industrial relic. Times change and what is cool now will seem outdated soon. I might be a dying breed but I don’t go out to stare at my phone. Let’s keep something interesting on the walls. If it can be something antique all the better.

My top 3 Most Versatile Antique & Vintage Items

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I love a versatile item, don’t you? In modern homes it’s a real bonus if an item can look good, add character and serve a function. Some collectibles can only really be used for one purpose, but others can be repurposed into a variety of uses that suit your particular needs. Here are my top three versatile, charming, and often inexpensive items that can be used in creative and fun ways throughout your home. I’ve found all these items at antique shows, flea markets and shops over the years and I’m still discovering new uses for them.


Jars – Ah the humble, hard working jar. New jars are nice, but real vintage jars are still an easy find. I love them for their imperfections and old fashioned marks. My favourite has a soft blue colour that is timeless and pretty. Old jars just say “country home” and fit in many relaxed styles.

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Jars for sale at the Aberfoyle Antique Market

What can you do with an antique jar? Almost anything! You can paint them, etch words into them, switch up the lids (find new lids at kitchen supply stores) and even add knobs to the tops. Here are some of my favourite old jar uses:

  • Bathroom Storage – Q-tips, cotton balls and bath salts look lovely and stay protected.
  • Succulent Terrariums –  Small trees and fake snow make fun holiday decorations as well.
  • Vases – An old fashioned way to display your fresh cut flowers.
  • Lights – On the easy end, you can put a candle or string lights in a jar to great effect, or if you feel crafty, there are great directions out there for turning jars into table lamps and even chandeliers.
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Vintage “GEM” jar with garden peonies. A dollar store grid top made this jar a vase.


Tins – Graphic, fun, functional tins. Keep your eyes peeled and you’re sure to find something you like at a wide variety of markets. Collectors prize certain brands (and clean condition), so price will vary.

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One of the most common problems with old tins is that they can warp, rust and become difficult to close. Don’t let that stop you, however, if you fall in love with a great image. You can still use tins in the following ways:

  • Desk & Kitchen Organizers – One of the easiest ways to enjoy a tin is simply take the top off and fill it with something you need to have out on a surface, like pens or cooking utensils. Big tins can hold bags of flour or pet food. Glue magnets to small tins and you can use them on your fridge.
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Vintage “Girl Scout” tin. Purchased at the Nashville Flea Market, this tin is both a great souvenir and a handy way to corral my pens. I love the badges!

  • Planters – Fill a tin with dirt and plant something that won’t require much water, like a succulent. Easy to grow and display.
  • Candles – Wax, wick, you’re good to go!
  • Jewelry – Difficult for beginners but if you know how to work with metal, small pieces of cut antique tin can inspire wonderful designs. Also a great use of otherwise very damaged and inexpensive tins.
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Large Potato Chip tin used to store bags of flour in my parent’s kitchen

  • Caddies – With a little effort, you can turn multiple tins into a tiered caddie for your office or craft room.
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Caddie (and instructions) via Better Homes and Gardens


Corbels and Trim – A corbel (also sometimes called a bracket) is the piece of wood, usually carved in a  decorative pattern, that sticks out and holds up the structure above it. Trim is simply any piece of wood that was once used to outline a piece of furniture or structure.

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Antique corbels used as book ends and mounted in the entrance-way of a kitchen. Images via HGTV

Trim is quite cheap but delicate antique corbels can be expensive. Reproductions are an option, but keep your eyes open and you may get lucky. Real old wood has a wonderful worn aesthetic that adds so much warmth to your space. This type of architectural detail is found at salvage shops and antique shows. As you can imagine, decorative pieces of wood are pretty all-purpose. Some popular ideas for antique corbels and trim include:

  • Shelves
  • Book Ends
  • Kitchen Counters & Cabinets – Mounted underneath counters and cabinets, corbels can add texture and nostalgia to modern kitchens.
  • Shelf Brackets – Either paired with antique trim or new wood, corbels likewise compliment shelves
  • Coat Hooks
Coat Hooks

My DIY antique trim coat hook. Still holding up our coats in style!

Architectural salvage has experienced a resurgence in popularity, so it’s a good idea to buy great pieces when you see them. I found the two vintage corbels below for only $60. I think I’m going to simply nail them to the wall and use them as shelves as is. Luckily I always have a few smalls that need displaying 😉

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I hope this encourages you to find spots for these charming old items in your home. Do you have any more ideas for using jars, tins or trim? Please share in the comments below!

The Old Book and Paper Show

On Sunday, March 29th I had the pleasure of attending The Old Book & Paper Show. Billed as Toronto’s biggest one day “vintage print-fest”, this show is dedicated exclusively to books, postcards, posters, photographs and all types of old ephemera. It takes place twice a year (March and November) in an interesting part of the city along St. Clair west.

Artscape Wychwood Barns

The show is set up in a long hallway in the Wychwood Barns building (originally a streetcar repair barn from the 1910s). Tall ceilings and bright windows flood the space with light. We arrived about a half hour after the show opened at 10am, and the room was packed. If there is something in particular you are looking for, you should get there early. One seller told me the serious collectors wait outside to enter as soon as the doors open. If you’re more of a curious looky-loo, you might find it easier to browse a little later when the crowd dies down.

Interior Artscape Wychwood Barns

When we first entered I didn’t think it would take too long to see all the booths but we ended up staying for almost three hours. What I didn’t realize was just how many individual items were crammed into every square inch of space! Vintage advertisements, postcards and magazines filled file boxes. These were often organized by topic but once you started it was easy to keep flipping through. Then there were the art prints and large format photographs ready for framing. Historical images of Toronto, Canada and the world. Postcards of tropical paradises. Vintage fashion magazines and pulp fiction novels. Rare and valuable first edition books alongside travel brochures, sports cards and comics. The show is very well named because literally everything old and paper was represented.

Interior Wychwood Barns

Vintage paper ephemera

Boxes of vintage postcards

Antique and vintage photographs

As you may expect in a professional show like this, the dealers had their specialties and knew their stock. If you had a specific item you were looking for they could always help. If you were just interested in a topic or time period they could also steer you in the right direction. Most were also willing to cut a price on multiple purchases, and I found the prices on the whole quite reasonable.

A booth at the show
Being the nerd that I am, I made a bee line to some boxes of mid century “Amazing Stories” and sci-fi pulp. I was just as interested in these books for their kitchy covers as for the stories. $5 bought me a paperback with a title story called “The Girl Who Hated Air”. Not a very promising read, but I think the astronaut cover is worth the money. I also spent time at the postcard sellers finding some more cheerful Alfred Mainzer cat postcards.

Vintage sci-fi pulp

Booth with magazines

Anson found a few sets of small black and white photos of Niagara Falls and Stanley Park in Vancouver. These little sets were sold to tourists in the 1940s and 1950s as additional photos to use in home albums. They were sort of the precursor to the postcard books you can buy today, but higher quality. The photos are crisp and clear and often well composed. They are quite charming and historical mementos of Canada’s natural beauty.

Vintage tourist photos of Stanley Park

Our purchses from the show

In the end we had a bag full of curiosities, books, photographs and postcards. I doubt we spent over $100 but we found some great little gems that will find a place in our home. I saw many serious collectors at the show, but not too many younger casual buyers. This is a shame. Gift stores sell reproduction images that cash in on the vintage charm of old ads, or the artistic appeal of black and white photography. Here was a place to buy all of that, and more, in an authentic form. There was also a great selection of books on specific and hard to find topics in art, music and history. From high brow to low brow, and all the prices between the two, there was truly something for everyone. I look forward to visiting the show again in the fall.

The Ups and Downs of Buying Antiques

I am a big believer in everyone buying antiques and vintage, but sometimes I forget how intimidating it can be to make a purchase when you’re out of your comfort zone. I have my background growing up in the business, but that doesn’t mean I’m immune to uncertainty and faults in my own judgement. It can be scary so I thought it might help other new collectors if I shared a recent buying story. It turned out great in the end, but I went a little wacky before I found my happy place.

A few weeks ago Anson (my husband) and I went to the Sunday Antique Market in Toronto. It’s a large market with dealers set up inside and out. The packed area offers a great assortment of decorative and housewares items, jewelery, collectibles, art and small antique furniture. Anson and I had each happily bought small items and we were getting ready to leave when I spied a round bamboo shelf near the doors. My first reaction was to smile because the shelf looked to me like pure vintage Tiki. Round with asymmetrical platforms, sitting around 3 feet tall and 3 feet wide, it felt like something out of the 1960s or 70s. I could see it gracing a rec room along with a couch in a tropical print and a hifi stereo. This is what happens when you buy old stuff, by the way, your imagination takes over. Removed from a defined setting, antiques become curiosities in themselves, and you fill in the blanks (right or wrong) of the item’s story.

Anyway, to my surprise Anson was not opposed to checking out the shelf in more detail. So we went up and took a closer look. The price was $125. Hmm. Not an easy bit of cash to drop on something I wasn’t sure about. A man approached us and began to tell us about the piece. He told us the shelf was not from the mid 20th century, but much earlier. He though it was Victorian (late 1800s) and he made reference to the burnt finish as proof. He said the shelf was all notched construction without the use of nails. Finally, he lowered the price to $110. Now, all of a sudden, it was exciting to think we could own this marvelous piece. Victorian bamboo! Isn’t that really collectible? The rush of emotion was saying “I must have this” and it felt good. Looking at Anson, I could see he felt the same way. We paid the man, shook his hand, and carried the shelf to our car.

In the ten minutes it took to carry the shelf to the car I experienced my first taste of bitter suspicion. The shelf was solid, yes, but some of the bamboo was cracked. Why hadn’t I seen that? There were not nails but large screws helping hold the bottom construction together. And what about the style? I knew this looked a lot more 1960s than Victorian. Or did I know that? My mood crashed as I tried to reconcile what I was now suspecting with what I had believed only moments earlier. Was it even old? I did a Google search on my phone and found a warning about fake and newly made bamboo being sold as Victorian.

Had I been bamboozled?!

Even thinking of that pun could not lift my spirits! The money wasn’t even the point – my pride was hurt. I was certain the man who sold me the shelf thought he was telling us the truth. But was it the truth? The whole ride home I was voicing my concerns and bouncing between opinions. I decided the shelf was not new – it was too well made and the finish looked old. But questions remained. After much comforting Anson finally asked “do you still like it?”. Yes, I answered. “Then it’s worth it!” he said. Anson had a clarity I lacked. Yes, I did like it. Yes, I liked it even if it wasn’t Victorian. Yes. Okay.

When I got home I took a few photos and phoned my parents for some quick feedback. They liked the shelf although it was not really to their taste. They thought it probably wasn’t Victorian but maybe from the 1940s to coincide with that time’s heightened interest in “Oriental” design. I confirmed it was solid and not missing any pieces that I could see. Finally we agreed it was just my style and really, what can you buy nowadays with $100? They thought it was a good buy, Anson thought it was a good buy, and now I did too.

I put the shelf on an antique cupboard in our dining room and put some of my McCoy pottery on it. I had bought the piece specifically to display the pottery and I was happy to see it suited my vintage planters nicely. So in the space of a few hours the saga of the bamboo shelf had finally come to an end. In that time I had gone from the rush of love at first sight, to the lows of suspicion and fear, and then back up to contentment. Kind of a crazy amount of emotion for a shopping trip, but also probably normal for a less experienced buyer like me. I still don’t know for sure when the shelf was made, but that’s sometimes the reality of buying antiques. I know it’s well made, and most importantly I know I like it. Every buyer has to take a leap of faith sometimes (no one – buyer or seller – can be an expert on everything), but if you buy what you love you will not regret it.

Now to see what all the fuss was about! Here’s the shelf:

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Repurposed Antique Trim Coat Hooks

This winter has been a long one in my neck of the woods. In an effort to use my free time for things other than watching TV in sweatpants, I’ve completed some good indoor home improvement projects. First, my amazing dad helped me paint the living room and hallway. We went with a lovely greyish green by Benjamin Moore – HC116 Guilford Green.  Then, in an effort to decorate the newly painted walls and add usefulness to the space, we built some nice coat hooks. Coat hooks you say? Yes, coat hooks!

Feel the excitement! On this, the first day of Spring, I thought I’d look back at a nifty little project the whole family helped complete. My mom and I started the design, my husband and dad did the heavy construction. Take a look at the result:

Coat Hooks

Now a closer look:

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And then, just to be crazy, an even closer look:

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I spent some time googling coat hooks in the days before we painted (truly, this is why the internet was invented). I wanted something vintage or antique – something unique. Antique coat racks were often too large or expensive. The solution? Make our own with salvaged wood! The piece of wood we used is roughly 100-year-old moulding – the type of trim that might have originally been found around a door frame. My dad sometimes comes across architectural details that he keeps to be repurposed when the need arises (for instance as garden decoration). Dad came to our house with a few choices, and we went with this one because of its greyish patina and graceful lines. Old wood can be found anywhere from sources on the internet (try googling “reclaimed wood”), to curb side garbage, thrift stores, lumber yards, and even Habitat for Humanity’s Restores. We cut the wood to size, then waxed it with regular Minwax paste finishing wax.

Once we had our piece of wood we had to find the perfect hooks. We needed strong, double hooks capable of holding up parkas. We found them at Anthropologie. Anthropologie is like Zooey Deschanel’s version of Restoration Hardware, if that makes any sense. It’s pricey, but you can find lovely unusual and vintage styled items. They have a great selection of knobs, hooks and door knockers. These hooks cost $12 each and I really liked their porcelain tops and slightly distressed metal.

Once the wood and hooks were found, it was a simple matter of putting it all together. We measured the hook placement, screwed the hooks into the wood (we used drywall screws because they were the only black screws we could find), and then screwed the wood into studs in our wall. Ta da! A super simple project with beautiful results.

We also put my grandmother’s vintage mirror up in our hallway, so now you can put your coat on and see what you look like before you leave the door:

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If you are looking to add style to your coat hooks, I highly recommend repurposing some antique wood. If you’re going for a rustic look this could include trim, barn boards, even drift wood. Reclaimed doors or window frames can be really nice too. Be creative – your hooks can match or be completely different for an eclectic style. The two most important considerations will be strength of the wood and strength of the hooks. Really old wood might be too brittle to secure your screws, and really thin wood will not support much weight. Take a careful look at the piece of wood and figure out what shape of hooks you will need and where you can place them. Our hooks, for instance, had to be horizontally secured to the wood and needed enough space to clear the shape of the ledge on top.

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In the end, it’s not rocket science but it can be very rewarding to give the humble coat hook an upgrade with reclaimed lumber. You will be recycling a piece of wood (and maybe hooks), giving your home character, and making something unique. All that and it keeps your coats off the floor?! Winner all around.

Looking for more coat hooks? These creative people have some wonderful DIY ideas:
Grandma’s Headboard Shelf
Chalkboard Half Door with Hooks
Scrap Wood Wall Hooks

Vintage “Easy Steps To Successful Decorating” Book

Yesterday I visited a favorite nearby thrift store. Past trips have yielded a lovely French vintage tea towel and a nice green McCoy pottery planter. This time my eye spied a decorating book with a tattered but intriguing cover. For a laugh I picked it up. After one minute of flipping pages I went from “this is a crazy thing” to “I MUST OWN THIS”.

The book is “Easy Steps to Successful Decorating” by Barbara Taylor Bradford. Yes, the best selling novelist Barbara Taylor Bradford, of A Woman of Substance fame. Before she wrote The Emma Harte Saga she was apparently an expert on interior design. She is quite lovely and well composed on the cover as you can see:

"Easy Steps to Successful Decorating" book cover (1971)

Nothing says “trust me to drape your room in fabric” like the old hand on chin pose. The book was published in 1971 and while that misses the clean looks of mid century modern, it does fit exactly into the swinging, psychedelic remnants of the late 1960s. There was just so much going on in design during this time. Nothing was too much and everything could be paisley.

If you dream of living like Austin Powers I cannot express how much you need to own this book. It is full of  practical advice on everything from choosing floor coverings, to wallpapers, to room plans that help you place your glass coffee tables and giant wicker chairs. There are numerous black and white, as well as full (and I mean FULL) colour photographs. Ms Bradford writes well (as you would expect from her success) and true to the book’s byline she explains all the details to achieve similar looks.

Let’s take a gander at some of the photographs shall we? If you feel like tripping out at any point just look away from your monitor until you calm down.

Yellow and White wallpapered Bedroom 1971

This is a bedroom. For sleeping. If you manage to even find your bed you will be in a position to stare up at the odd concentric rectangles. Sweet dreams!

White carpeted 1971 Kitchen

This is how I know people did drugs in the 60s – they put carpeting in the kitchen. Carpeting that looked like ferns. Grab a bowl of fruit from your tiny round island that features and even tinier round sink. Water your many plants. Can you possibly fit more lattice work into your ceiling?

Groovy Living Room with stripes (1971)

The sofa in this photograph is easy prey for stronger furniture. It must blend into its surroundings to survive. It distracts you from itself with zebra print pillows and short tables that are hard to reach from a seated position.

Green and Orange Retro Living Room (1971)

I think this is a living room but it also has a dining room feel. Lots of seating options (none of them comfortable). I am actually quite enamored with that cheetah statue, and the combination of green, gold and brown reminds me of my Vernonware dishes.

Far out Vintage Living room with tented ceiling (1971)

I get a Roman Emporer by way of Liberace vibe from this room and it is MAGNIFICENT. Everything in this room is crazy. There is no sane. Sanity cannot exist in the space that uses tenting as wall cover.

By this point I hope some of you are saying  “but what about the children?” Oh don’t worry. The kids were not left out of the design ideas. They have their own section of the book which features amazing examples like this:

1971 Child's bedroom

Imagine if your child was hyperactive before they went into their room to play.

"Teenage Haven" Bedroom from 1971

This is described as a “teenage haven”. It is not an adult film set. Do not be fooled by the sunken living room area or the fake chinchilla bed spreads. Is that an ash tray on the table? Yeah. Nothing inappropriate will happen here.

So there is a lot more to this book but you get the idea. It’s choke full of the crazy, or the retro vintage goodness (depending on your tastes). While I may not typically go for the geometric, eye confusing prints of 40 years ago, I will say that some of them beat the heck out of beige. And I will be keeping an eye out for one of those large plaster cheetahs. That cat would look so groovy in my living room.

Antiques in the Garden – Part 2

Wow. Over three weeks have gone by since my last post! One of the reasons I haven’t posted about antiques in the garden is because I’ve been too busy spending time planting in my garden. That’s ironic or something. Check out my first peony of the season. This was taken a week ago and the whole plant is flowering now:

Peony in bloom

Between the garden, working, spring cleaning and a super fun cracked molar incident, I haven’t been blogging nearly as much as I should. I’ll try to turn that around with this installment of Antiques in the Garden. If you haven’t already, you might want to check out Part 1 for more ideas on how to use antiques & vintage items in your outdoor space.

First upon our return to my parents’ garden is this lovely large stone bowl. This is actually a crucible used for melting glass. It was the years of use that gave the inside of this object its complex blend of colour. It’s hard to see here but the bottom of the crucible has layers of dark green and brown glass. My mom usually keeps some water in the crucible and uses it to house a few floating plants and flowers:

Crucible for Glass

Near the crucible are these two giant iron wrenches (you can see how tall they are compared to the normal shovel leaning next to them). These are a bit of a mystery, but the most popular idea is that they were used on steam locomotives. I guess the wheels on those giant trains required some pretty serious torque!

Big Wrenches

The next object is near and dear to my heart because it reminds me of trips to Biarritz France, near where my mother grew up. It is a segment of antique concrete fence in the form of branches. This object was actually made by the same artisan who crafted some of the similar fence work still found on the beachfront in Biarritz. It was made by a process called sand casting. The process began by first creating the shapes by pressing real branches into sand. Then the wood was removed, wires were added for stability, and concrete was poured into the sand molds. Texture details were added before the concrete hardened. Sand casting is often used in foundries for metal but it also has a long history with concrete. Here is the fence in my parents’ garden:

Concrete Fence

And just to compare here’s a photo I took of the fence in Biarritz. This particular section of fence is probably quite recent, as they replace segments as needed, but many parts are still vintage to at least the 1950s:

Fence in Biarritz, France

What an elegant and whimsical way to add texture to your garden, don’t you think? Here are a few more nice antique and vintage pieces I found around the grounds:

Tin Star

Iron Finial

Iron Post

Now, for the big exciting finale, I’m going to show you the famous President Taft doors:

Shuttered Doors

I love the little duck silhouettes!

Please don’t crowd – there’s room for everyone. Okay, so the story is these green shuttered beauties were once part of a cabin nestled into the scenic countryside of rural Quebec. The cabin was a summer-house for none other than 27th President of the United States William Howard Taft. In the 1990s the cabin was renovated or torn down, and my parents were able to buy these doors on one of their many picking trips to Quebec. They now mark the entry to the compost pile which is admittedly not the most noble of places but makes them very useful nonetheless.

Almost too much excitement for one garden tour right? Oh but there’s more. Not only did my parents get the doors, they also bought an entire small shed from the Taft property. EDIT: Turns out I was wrong! My dad left a comment to explain the origins of the shed. Here is his quote: “I have to clarify that the small Taft “shed” you  illustrate is actually something I made from four Taft shutters (presumable from the same guest house as same color and construction) and a tin shingled top of some birdhouse or something,  Bought on a different trip to Quebec.  I noticed one day that the shutters where the same width as the top sides, and I had a screw gun in my hands so I put it together.  People have had many interesting theories about its use. Ventilated out house, smoke house, threshold to another dimension. It’s good to have theories.” Thanks dad! That’s actually a much more interesting origin story for this unusual piece:

Shed

How about them apples? How bout them somewhat historically interesting apples? And yes, while there is no official certification to prove the President Taft story, my dad says it’s true so that’s good enough for me. Even if it wasn’t true and those Quebec dealers used the pure unadulterated excitement of President Taft to sell these things, they would still be worth the purchase. They are lovely antique objects that are durable, decorative, and still very useful in the garden.

You may now return from the edge of your seats. The garden tour is over! Thanks for coming along and I hope you enjoyed it!

Antiques in the Garden – Part 1

The weather is warming up and that means I’m starting to think about the garden. Even though we have a small space I find it very satisfying to dig in the dirt. I’m a pretty easy-going gardener. If something works, great. If not, oh well. Dig it out and try something else. I educate myself through the internet and books here and there, but my most important go-to expert is my mother. She’s an amazing gardener and with the help of my dad she cultivates a number of vegetable and flower gardens. My mom’s advice for the novice gardener is pretty straight forward: It takes five years to establish a perennial garden, so patience is key. Plant a mix of foliage, colours and heights to create interest. Most of all, enjoy the process and understand that gardens change so trying to create a static “perfect” garden is silly and frustrating. It’s one of those journey and not the destination things.

Gardening is quite the popular hobby these days, and along with it the desire to create outdoor “rooms”. Gliding chairs, sectional sofas, fire pits, elegant lighting and even rugs are now common elements in the outdoor living space. As we attempt to include more decoration in our outdoors, antiques find a new home. Many antiques are durable enough to grace the outdoors year round, especially industrial or architectural pieces. I looked around my parent’s garden and found many antiques that work perfectly amidst the flowers. I took a lot of pictures so I’m going to break it up into two blog posts.

The first item I noticed in the garden was this vintage plant stand made out of chain. The paint is wearing off, which I quite like, but you could easily spray paint a metal object like this if you wanted. I love the idea of using a plant stand for a birdhouse too. This stand creates a nice tall focal point in the middle of the yard:

Near the plant stand are two large concrete urns or planters. These are from the Victorian period, and I love the classic shape and weathering on them.  They look softer because of their age. A nice thing about planters is that you can change the plants inside them whenever you wish to suit the season.

Another item in the antique concrete category are the two balls that sit near the entrance of the garden. I think the moss and speckled surface of the concrete is quite lovely. These may have perched on the top of a stone fence at one time, perhaps flanking the gate to a grand estate.

These items are wonderful but they take up ground space. What if you are like me and have to make every inch count? Well, you can still use antique items on the walls of your outdoor space. Check out what I found on the back fence:

It’s a piece of gingerbread trim from a house. When old houses are renovated or torn down, architectural elements like this are sometimes thrown out. Thankfully there are many people who salvage these items and repurpose them. In this case, trim that decorated a house for a hundred years finds an excellent second life as a backdrop in the garden.

Along another section of the fence, I found these two antique grates. These durable cast iron beauties were probably used over heating vents.

Finally, this selection of interesting shapes were mounted on the storage shed. The wooden rectangular piece is another architectural remnant, perhaps from a house but I’m not sure. The wooden “X’s are even more mysterious! I had to ask my dad what they were. Any guesses? They’re used in fishing to wind up the nets. I think originally there were rods in each arm (you can see the little holes), connecting two “X” pieces together, and the net would wind up between them. I searched for more information or images of these things but without luck. If you know anything please share because I’m curious!

So that does it for part one! I love my parent’s garden and there’s so much to see. The next part of the tour will feature giant locomotive wrenches and a set of doors that may have once belonged to former US President Taft. I’ll post that soon. Until then, I have some weeding to do 🙂 Enjoy the weather!

Antiques for Holiday Decoration

Christmas is a nostalgic holiday, steeped in past traditions. It’s no surprise then that this is also the time of year when the home decor shops bring out their artfully ‘distressed” reproduction antiques. Have you been in a Pottery Barn lately? It’s all reproduction vintage tree bulbs, tarnished vases and “weather-beaten” thingamabobs. This year they even have reproduction folk art from the American Folk Art Museum collection! On one hand, this is good. It shows a market interest in antiques and folk art that should ultimately benefit everyone related to the business. On the other hand, these reproductions are not cheap. They cost in some cases as much or more than real antiques. And, most importantly, they are mass-produced! There is no real character to the objects – none of the stories and history that give antiques appeal.

As a counter argument to all the reproductions out there, I submit a few real antiques I found on Collectivator this evening. I just searched keywords like “Christmas” and “winter” to find some lovely objects that you could use as part of your holiday decor as well as your every day collection. These pieces will add authentic nostalgic appeal to your holidays, and maintain their value. Take a look:

Folk Art Cabins

Miniature folk art cabins

How adorable are these two vintage miniature cabins? They come from Quebec and have great details like cellophane windows, glittery snow and real metal axe. This is real folk art for a great price: the cabin with logs is $75.00 and the larger house is $145.00. They are offered by Shadfly Antiques.

Antique wagon

Or how about this charming circa 1890 wagon? Imagine this filled with evergreen boughs or gifts! It would be a wonderful piece anytime of the year but during the holidays it would be a centrepiece. This wagon is offered by Land & Ross Antiques.

Squirrel Nutcracker

This antique cast iron nutcracker is around 100 years old, still useful, and a refreshing departure from the traditional Christmas nutcracker. This little fella is priced at $195.00 from Shaun Markey Antiques.

Child's Sleigh

Child's Push Sleigh

Finally, this 19th century child’s push sleigh with original paint is right out of a print by Currier and Ives! The shape, form and colour are all beautiful, and it’s in excellent condition. Priced at $800 from Wendy Hamilton Antiques, this would be the pièce de résistance of any Christmas decoration.

All these items are real antiques that serve beautifully as decoration but also as valuable additions to your home and collection. While these antiques are from Collectivator, antiques from any source can be just as attainable and suited for the holidays. I know some of these items may be out of your price range (mine too) but take what you can’t afford as inspiration. Think outside the box, or the pottery barn, and you might be surprised by what’s out there!

Shiny Brite Ornaments

Shiny Brite Reproduction bulbWhen I was a kid, my parents (being antique dealers) always had a hodge podge of different antique decorations for the holidays. Tiny plastic choir boys, a somewhat weary looking elf, a flapper styled angel, and an abundance of colourful metallic glass bulbs adorned our tree. To this day, when I think Christmas I think of those cheerful glass ornaments. They were from the 1940s and 1950s. Although ours were from a variety of companies, the most popular of these vintage glass ornaments was made by a company called “Shiny Brite”.

Shiny Brite ornaments were created by American businessman Max Eckardt in 1937. Shiny Brites were proudly made in the USA (a selling point during WWII as previous to this many glass ornaments were imported from Germany). They were mass-produced in a process that started with unadorned glass bulbs supplied by the Corning company that were then hand decorated and machine lacquered in Eckardt’s factories. The inside of the bulb was coated in silver nitrate giving the decorations a, well, bright and shiny look. They eventually came in a large variety of colours including classic red and green, purples, pinks and icy blues. The colours could be solid or patterned. They also came in a large variety of shapes including balls, tear drops, icicles, finials and pinecones. They proved extremely popular and at their peak came out of four separate factories in New Jersey.

Shiny Brite Box

The classic Shiny Brite box. Notice Uncle Sam shaking hands with Santa Claus!

Interestingly, the history of the Shiny Brite ornament was directly impacted by wartime America. Early pre war ornaments often had large sections of opaque silver and metallic colour. After WWII was declared, decorative silver nitrate became a “nonessential” use of metal, so many of the ornaments were stripped of any silvering, and were mainly transparent with only hand painted colour on the outside of the bulb. These transparent bulbs are some of the most sought after and prized for collectors.

The hooks are also a good indicator of age. Early Shiny Brites had metal hooks and tops. During the war, these hooks were replaced with cardboard tabs from which the owner would use string to hang the ornament. Some bulbs from the wartime era also included a sprig of tinsel inside the bulb for added sparkle, but even this small use of metal was eventually prohibited.

This image from I Adore Style

When the war finally ended in 1945, restrictions on metal receded, and the iconic “Shiny Brite” ornament was reborn. Using sharp metallic colours, glittery mica flakes, and metal hooks and distinctive crinkled tops (stamped with the words “Shiny Brite” and “Made in U.S.A.”) these ornaments became even more popular. They remained affordable for families and flourished until plastic ornaments came on the scene in the late 1950s. For reasons I guess had to do with durability and cost, plastic was preferred over glass, and the Shiny Brite company closed their doors in 1962.

Close up of an original Shiny Brite top

Although this is an antiques blog, I must point out that there are some really nice reproduction Shiny Brites made by the Christopher Radko company. Since 2001 Christopher Radko has reproduced some of the most popular Shiny Brite lines and you can find them in lots of stores (I found some at our local Homesense). They are quality decorations and a great way to get the vintage look in new, pristine condition.

As nice as the reproductions are, however, real Shiny Brites are a great piece of history and well worth the search. They are still quite easy to find online and in vintage stores. If you want to collect real Shiny Brites, there are a few words of warning: Some sellers mistakenly use the manufacture’s name “Shiny Brite” to refer to any ornaments of this type. In some dastardly cases, the tops and hooks may also be replaced to “create” a Shiny Brite from just another vintage bulb. Also, people recommend buying only in original boxes, but it can be tricky to determine if a box for sure contained the ornaments for sale.

As is the case with anything, there is an element of “buyer beware” to collecting Shiny Brite ornaments, but this warning should not dissuade you from these charming items. Most dealers are honest and will answer your questions truthfully. Shiny Brites used to be an easy flea market find, but now depending on the style and age of the ornament the price will vary. Even in you find damaged ornaments, you can still use these to create wonderful decorative wreaths or as filler in vases and bowls. With a little searching and a keen eye you can still find affordable vintage Shiny Brite ornaments that will bring sparkle, cheer and history to your Christmas season.